Settling down is the scariest part about growing up.

I am a master at leaving.

The first time I left home, I was four years old. Without telling anyone or asking permission, I carted all my toys up the stairs to where my grandmother lived – on the second floor of our house in the suburbs of New York City – and declared that I lived with her. Over the following decade, I did – and that was 10 times longer than I would stay in any one place for the next 20 years.

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St. Louis Galleries Put On an Art-Show Memorial for Michael Brown

Angry protests flared up across the country last night as a grand jury decided not to indict Ferson cop Darren Wilson for shooting Michael Brown in August. Rage was the expected—and maybe appropriate—response to the killing of a black teenager, but the resulting photos of burning cars didn't do justice to the emotions the Ferguson community has been feeling for these past few months.

That's one of the reasons Freida L. Wheaton, founder of the Alliance of Black A Galleries in St. Louis, conceived of Hands Up, Don't Shoot: Artists Respond, a multi-site, multi-disciplinary exhibition

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'The Babadook' Is a Horror Movie About a Mother Who Hates Her Son

With her debut feature-length film, The Babadook, director Jennifer Kent wants to show horror moves can explore serious themes, not just dismember teenagers and terrify idyllic families who move into haunted houses. Her movie tells the story of a single mother, Amelia, who struggles with the loss of her husband and hates her six-year-old son, Samuel. When they move into a new house, Samuel finds a pop-up book called Mr. Babadook, which contains a monster that goes by the same name. In its attempt to kill the family, Mr. Babadook brings Amelia and Samuel together. It's sweet, in a way.

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